Writer Wednesday—The Cost of Doing Business


There’s a lot of debate and discussion about how best to promote one’s books, and it mostly centers around cash. If you have a product, aka a book, that you’re trying to sell, you’re in business.

As the old adage says, “You have to spend money to make money.”

There are two basic ways to promote and market your book:

Pay someone to do it.

Do it yourself.

I know quite a few authors who opt for the first, and I don’t quite understand why. You could pay someone to market your book if you had a lot of spare cash sitting around, or if you have better things to do with your time.

For myself, I definitely qualify in the second way, but certainly not in the first.

Plus, I like to be hands-on. No one is going to do for my book what *I* am going to do. They just won’t care “enough.”

The biggest problem with paying someone is knowing what or if they actually accomplish. Now, if you pay someone to promote and market and your sales suddenly zoom up, that’s wonderful! But what if they don’t? Either the company/person you paid didn’t do anything, or enough, or your book stinks.

But maybe your book doesn’t stink. Maybe they just took your money.

No, I don’t know which companies are good and which are bad. Consult Preditors and Editors. I know authors who claim to have had good experiences with bad companies, too. But I have to wonder if their idea of “good” is the same as mine . . .

What bothers me is the amount of money these companies, good and bad, often charge to do the same things YOU could do, for free.

The first thing you need to understand is the difference between “promotion” and “marketing.” Promotion is where you put out reminders about your book, so no one forgets about it. Marketing means you are actively pursuing sales channels.

No one should pay for promotion, not with the availability of social media. But you have to be visible—and that means opening up those privacy settings. Your friends are going to get mighty tired of hearing about your book, plus you can’t take advantage of all that “six degrees of separation:” if no one can easily share your promo posts, no one will see them.

Now, that doesn’t mean you have to 2,999 “friends.” Quality is often overlooked in favor of quantity. All those “like me and I’ll like you” invites may garner a couple sales, but it’s really just a trade-off of people trying to up their numbers. I’ll let anyone follow me on Twitter, for example, because all kinds of people read books—but that doesn’t mean I’ll follow them back. This isn’t grade school, after all.

Another thing that authors often do is join groups. Writing groups, author groups, etc. Again, be choosy. How many groups can you realistically keep up with? How much of your time is spent being “social?” Which ones have the most value for you?

The trap you may fall into is promoting and marketing ONLY or MOST OFTEN to other authors. This is like going to a conference and trading books or buying the book of everyone who buys yours. You might get home and say, “Wow, I sold 20 books!” Yes, but you also BOUGHT 20 books, most of which you probably won’t read and therefore won’t tell anyone about either. Exactly what the others are saying/doing.

Sure, writers and authors read books. But it’s a big world out there. Don’t make the mistake of thinking TOO local . . . social media or in real life.

Read my marketing book when you have a chance. It’s there, in plain English: find your target reader.

 

 

Let’s Talk Publishing – Insider tips, tweaks, and just plain ol’ information


First, I’m sure you’ve heard some of these before:

It’s not what you know (or how well you write), it’s WHO you know.

Make your manuscript perfect BEFORE you send it off to a publisher or agent.

Use proper grammar, spelling, punctuation ALL THE TIME.

Sometimes, it IS who you know as opposed to what or how well. Sometimes, you could get bumped up in the queue of submissions because you know someone or someone has recommended you. That happens, sure. Not a lot, but it does happen.

A small press publisher is going to look at several things when he receives a manuscript: style, story, and sales. But he’s also going to look at the mechanics, because he’s not going to want to spend a lot of time “fixing” simple mistakes. I’m not talking about typos – there’s a difference. A typo is something like spelling “typo” as “tyop,” one time. A typo is NOT repeatedly using its for it’s, or constantly leaving a space between the end of a sentence and the ending punctuation of that sentence. Like this . Or putting punctuation outside the ending quotation mark.

That’s bad. Very bad. That means you haven’t mastered the basics, and you need to go back to the kindergarten of writing. Immediately.

Too many writers, I think, or aspiring authors, go over and over their manuscripts and tweak the story. They ignore any mechanical errors. Or worse, they don’t see the problem – back to kindergarten! THIS is what’s meant by “make it as perfect as possible.”

Style, of course, is HOW you write. What’s your voice? Be consistent. Use words and set scenes that fit whatever genre you’re writing in for that particular submission. Use language pertaining to the time period in which your story’s set. There’s no one “right” voice or style for everyone. What’s right for your story is YOU.

So you’ve written a manuscript, you’ve found your voice, you’ve been consistent, and you’ve made all those corrections. You submitted to a small press. Now what?

Just because the word “small” is attached to a publisher, it doesn’t mean that you’re going to hear anything in a few days. Or a few weeks, or even a few months. Many small press publishers are doing ALL THE THINGS for their businesses, all the time. Many work closely with their authors, true, but that’s after the contract is signed and the book is in production.

Now, for myself, for RHP, I usually don’t do the full edits, but I do final ones. Remember when you went over your manuscript, in detail, word for word, line by line? That’s what I do. Remember how long it took? Multiply that by one or two or three, every single month. RHP has an editor; we have a cover designer; we have distribution; we have promotion and marketing. And I oversee and/or do and/or am heavily involved in all of that.

As an example, I submitted my first book, REDUCED, to Harper Voyager on October first. 2012. Just over a year ago. THEY have scads of people to read manuscripts, etc., etc. and it’s been over a YEAR. So, I’m just sayin’, cut the small publishers some slack, okay?

Here’s what my day looks like, six days a week (sometimes seven!):

6:00 a.m. Check email and news. Answer approximately six emails and messages from RHP authors. Social media promo and marketing. Check sales stats. Answer three more emails and messages. Receive 2-4 submissions. Check on shipments. Make to-do list. Drink lots of coffee.

8:00 a.m. Make phone calls. Pay bills. Do paperwork. Drink more coffee. Maybe run errands. Hopefully, before I do that last, I have time to shower and dress!

9:00 a.m. Work on my own marketing, platform, blog posts, schedule, events, etc., etc.

10:00 a.m. Open the bookstore. This is when I do bookstore stuff, but even that overlaps into publishing. I shelve, I ship, I do the accounting, I take care of customers and answer the phone. And email. And messages. I schedule events and authors. And yes, I do marketing and promo for the bookstore.

3:00 p.m. (ish – some days a bit sooner, some later) This is when I get to edit and format and look at submissions. Maybe. Sometimes, I’m still dealing with everything else (see 6:00 a.m.). And too, I do have a family. And a house. And things like cooking and laundry, just like everyone else.

7:00 p.m. Dinner. Because the store is open until 7:00 and we have a weird schedule. Most days, we’re all here for dinner, but not all. And yes, sometimes I fudge and we grab takeout or just eat leftovers. Or popcorn. Always an option.

7:30 p.m. Finish up most things. Not all. Most. And I always swear that I’ll be done by 8:00 and can relax and maybe talk to my husband before he falls asleep. Note: it is currently 10:04 p.m.

So now you know. I work about nine hours a day just on the publishing end of things and about five hours a day at the bookstore. That’s six days a week, at least, and in case you’re math-challenged like me, it comes to 84 hours a week. And yes, I had to use the calculator for that!

I don’t think I’m slow, or stupid, and I’m willing to bet that most small press publishers do the same things and work the same hours. Okay, maybe they don’t own a bookstore, but many have “day  jobs.”

Yes, you wrote a book. And you think it’s good – that’s great! Now, make sure of it, send it off, and have some patience. The writing is hard – I know, I wrote three books myself – and so is the self-editing. And it’s really, really hard to wait. But that’s just part of the process. And it’s okay to ask for an update, just not every day or week.